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Meanwhile, we are consuming an amount of resources way beyond our planetary boundary, 1.8 planet per year to be exact. With the growing needs and wants of an increasingly urbanised population, biodiversity loss is rapidly taking place, with an average decline of 69% in species populations since 1970, and this includes important carbon sinks. From 2001 to 2021, there was a total of 437Mha of tree cover loss globally, equivalent to an 11% decrease in tree cover since 2000 and 176Gt of CO₂ emissions. On top of these ecological challenges are loneliness, addiction, chronic physical and mental health issues, among others.

At the root of these multi-dimensional, systemic challenges is disconnection – from the self, one’s identity, values and beliefs; to the others, family, friends and communities who make up the support network or “village”; to the place, including natural beings such as the land, mountains, rivers, oceans, flora and fauna.

Architects, place designers have an important role to play in addressing these challenges through regenerative development and design, reconnecting seemingly separate elements and beings back into a whole, living, interconnected “interbeing”.

However, conventional, problems-oriented strategies lead to piecemeal results and though with good intentions, are far from sufficient. Technical training to architects and place designers alone falls short of addressing these challenges. Long-lasting, deep changes come not just from the mind, but also from the heart. Regenerative development and design is based on the premise that we can only make the outer transformations required to create a truly sustainable world by making the inner transformations in how we think, how we work and who we are.

Regenerative places are designed with a deep understanding of their innate potential and essence. They are places in alignment with the vitality and wisdom of the natural world. These places strive to go beyond conventional green and sustainable certification, beyond being zero carbon – “do less harm” mitigation, to repairing and creating positive social, ecological, and economic changes in reciprocity with the human and more-than-human world.

The immersive experiences feature intimate practitioners’ sharing, individual and breakout group exercises, design challenges, connection with nature and place through play, food(!), and meditative movement practices. An emphasis is placed on indigenous history and practices and their connection to the place. The outcome is a deep transformation through reconnecting with the self, others and nature.

The curation and facilitation of Future+ reflect the organising team’s influences, which include: Regenesis Institute, Schumacher College, Deep Ecology, Theory U/ Presencing Institute, Association of Nature and Forest Therapy.

The first immersive experience took place in Sichuan (China) in May 2024, this experience in Kuching (Malaysia), October 2024 will be the second, and Bali (Indonesia) will be hosting the third experience in May 2025.

The following programme is still evolving.

Typically, our participants experience the following as they embark on this collective journey:

1. Reconnect

Through mindfulness practices and nature connection experiences, participants will be supported to establish a deep connection with the self, others and nature.

2. Reflect

Deepen your understanding of regenerative development and empathy exercises.

3. Reimagine

Find harmony and communion between the inner and outer worlds in silence and reflection, stimulating creative thinking

4. Redesign

Practice the application of regenerative design principles, translating new ideas into projects through design challenges and collaborative planning post-workshop.

5. Renew

Develop an action plan, commit to a long-term, evolving project, celebrate milestones along the journey, and look to the future.

i) Cultural and Historical Significance

Kuching’s history is deeply intertwined with the Brooke family dynasty, which ruled Sarawak as the White Rajahs for over a century. This legacy is visible in many historical buildings and monuments, such as the Astana, Fort Margherita, and the Old Courthouse. The city is also home to the Sarawak Museum, one of the oldest and most comprehensive museums in Southeast Asia, showcasing the region’s rich cultural heritage and natural history. The Borneo Cultures Museum, a new addition, offers state-of-the-art exhibits on Borneo’s diverse cultures and ecosystems, providing a modern complement to the historical displays of the Sarawak Museum.

ii) Kuching Heritage Trail

The Kuching Heritage Trail is a must-explore for visitors interested in the city’s rich past. This self-guided walking tour takes you through Kuching’s historical core, highlighting key landmarks and offering a glimpse into the city’s colonial and indigenous heritage.

Sarawak State Museum The Sarawak State Museum, established in 1891, is one of the oldest and most renowned museums in Southeast Asia. Housed in a grand colonial-era building, the museum boasts extensive collections of ethnographic and natural history artifacts. Visitors can explore exhibits that showcase the diverse cultures of Sarawak’s indigenous peoples, including traditional costumes, tools, and crafts. The museum also features comprehensive displays on the region’s flora and fauna, geological history, and archaeological findings, providing a thorough understanding of Sarawak’s rich biodiversity and cultural heritage.

Borneo Cultures Museum The Borneo Cultures Museum, a modern architectural marvel, is the largest museum in Malaysia and a centerpiece of Kuching’s cultural landscape. Opened in 2020, this state-of-the-art facility offers five floors of interactive and immersive exhibits that celebrate the cultural diversity and natural wonders of Borneo. The museum’s displays are organized thematically, covering topics such as the history and cultures of Borneo’s indigenous groups, traditional and contemporary art, and the island’s unique ecosystems. Highlights include lifelike dioramas, digital installations, and hands-on activities that engage visitors of all ages. The Borneo Cultures Museum serves as a dynamic space for education, cultural exchange, and community engagement, reflecting Sarawak’s commitment to preserving and promoting its heritage.

Other key stops on the heritage trail include the Chinese History Museum, which chronicles the contributions of the Chinese community to Sarawak’s development, and the Islamic Museum, which explores the influence of Islam in the region. Along the trail, you can also visit the Textile Museum, showcasing traditional textiles and weaving techniques, and the Cat Museum, dedicated to all things feline and reflecting the city’s nickname.

iii) Diverse Cultures and Natural Beauty

Kuching is a melting pot of cultures, with a population comprising Dayak, Chinese, Malay and various indigenous groups such as the Iban, Bidayuh, and Orang Ulu. This diversity is reflected in the city’s vibrant festivals, colourful markets, and a wide array of culinary delights. Visitors can explore the bustling streets of Chinatown, enjoy traditional Malay cuisine, or experience the unique flavors of indigenous dishes.

Kuching is surrounded by breathtaking natural landscapes, from lush rainforests and serene rivers to pristine beaches and majestic mountains. The city serves as a gateway to numerous national parks, including Bako National Park, known for its diverse wildlife and stunning coastal scenery, and Gunung Gading National Park, home to the world’s largest flower, the Rafflesia. For those seeking adventure, the nearby Sarawak River offers opportunities for kayaking, river cruises, and cultural village visits.

iv) Sarawak 2030 Smart City Initiatives and Cultural Initiatives

Kuching is at the forefront of Sarawak’s ambitious 2030 Smart City initiatives, aimed at transforming the city into a technologically advanced and sustainable urban center. These initiatives focus on improving the quality of life for residents through the integration of smart technologies in various sectors, including transportation, healthcare, and public services. The introduction of Automated Rapid Transit (ART) is a significant infrastructural development, providing a modern and efficient public transportation system that reduces traffic congestion and promotes sustainable urban mobility. Additionally, the city has invested in various cultural initiatives, including the annual Rainforest World Music Festival and the Kuching Festival, which celebrate local and international arts, music, and cuisine, fostering cultural exchange and community engagement.

“Through this workshop, I confirmed the direction for my own evolution and also met a group of lovely friends. This is a living workshop, fluid and open. The time spent cocreation together with group members, the constant inspiration and emergence in the process, was a precious experience in my life.” Wang Cihang

“Joining this workshop is a major milestone in my life as an eco-conscious architect. It deepened my connection with nature and self-awareness, inspiring me to find more harmonious ways for humans to live on Earth, guided by mentors to understand places and explore inner self.” Wang Sujia

For nearly two decades, Architecture 2030 has provided the leadership and designed the high-impact actions needed to achieve the necessary CO2 emissions reductions, now defined as a high probability of limiting planetary warming to 1.5°C. Our action plan has two primary objectives:

• Achieve a dramatic reduction in the energy consumption and CO2 emissions of the built environment by 2030, and a complete phase-out of CO2 emissions by 2040; and,

• Advance the development of sustainable, resilient, equitable, and zero-carbon buildings and communities.

In Asia, Architecture 2030 initiated the China Accord in 2015, a commitment by 62 key Chinese and international architecture and planning firms to plan and design cities, towns, developments, and buildings in China to low carbon/carbon neutral standards. Since then, Architecture 2030 has continued to deepen its work in China and neighbouring regions (South Korea and India) by hosting online and offline knowledge exchange forums, seminars and workshops, zero carbon design training, developing a zero carbon building code, and published numerous articles, guidelines and white papers.

During the pandemic, the Architecture 2030 team in Asia engaged in a deep reflection on the changing landscape and needs of the world and our time. This led to a broadening, more holistic, inter-sectional focus and alignment with regenerative development and design. Future+ was born as a result.

www.architecture2030.org

Since 2017, WildBound has lead expeditions to Antarctica, Greenland, Bhutan and other ecosystems, worked with businesses and academia to launch sustainability guidelines and organized public exhibition and initiatives.

www.wildbound.earth

Since we started six years ago, we have explored a number of cross-regional collaborative projects that involved collaborators from France, Germany, UK, Italy, Taiwan, Thailand, Indonesia and Malaysia. Thus far, our production covers products ranging from publication, documentation, crafts, curation and architectural design.

In our collaborations, we have been consciously engaging people of diverse disciplines. Regardless if it is a publication or building, it is crucial for us to see our projects end up delivering empathetic experience with universal value.

In the tendency of most art practices to have moved towards a rather domestic focus with their projects and researches since the Covid-19 pandemic, Borneo Laboratory decided to embrace an artistic statement of ‘connect widely, think deeply and act daringly’. The team in Borneo Laboratory believes in being a manifestation of what we are believing in. Only by being so, a global narrative of art and culture will stand a chance to be translated into tangible and positive actions beyond the realm of art. 

With ‘Innovation through Collaboration’ as its fundamental approach, Think & Tink is designed to be a testbed for several year-long experimental projects of multiple disciplines, namely urban technology, architecture & landscape design, digital fabrication, decentralised education programme and material research.

与此同时，人类正在消耗大量的自然资源，远远超出了地球的极限，准确来说，人类每年会消耗1.8个地球。城市化程度日益加深，人口和需求不断增长，生物多样性正在迅速丧失。自1970年以来，全球物种总量平均下降了69%。此外，重要的栖息地和碳汇区域也在丧失，2001-2021年，全球共损失了4.37亿公顷的森林覆盖，相当于自2000年以来，全球森林覆盖面积减少了11%，二氧化碳吸收能力随之减少了1760亿吨。

除了生态环境的挑战之外，孤独症、成瘾症、慢性疾病等个人身心问题和社会问题也在激增。这些复杂多维的、系统性挑战的根源在于人与三重关系的断裂：与自我的断裂，让我们丧失个人身份认同、价值观和信仰；与他人的断裂，让我们失去人际关系网络，比如家人、朋友和社区的支持；与大自然的断裂让我们失去与土地，山脉，河流，海洋和动植物的连接。

为了应对这些挑战，建筑师扮演着重要的角色，通过再生设计，将看似分离的元素和部分重新连接成一个整体，成为相互关联的共生关系。

然而，传统的、问题导向的方式只能产生零星的结果，尽管出发点是好的，但这远远不够。仅对建筑师和场地设计师进行技术培训不足以解决这些挑战。持久而深刻的改变不仅来自思想，也来自内心。再生发展和设计的前提是，我们只能通过改变我们的思维方式、工作方式和自我，来实现必须的外部转变，去创造一个真正可持续发展的世界。

再生型建筑和空间的设计是基于对其内在潜力和本质的深刻理解。这也与自然界的活力和智慧相一致。再生设计努力超越传统的绿色和可持续认证，超越零碳建筑这种仅仅减少伤害的妥协方式，以修复和创造积极的社会、生态和经济发展，让人类和世界互相帮助、共同繁荣。为此，需要人类深入了解自然系统的复杂运作，与自然和谐共生并不断发展。再生设计对土地利用、社区发展和建筑环境的影响已经超过20年，并且定义了可持续实践的最新前沿。

沉浸式体验包括在地的独特项目，实践者的故事分享，个人和小组练习以及设计挑战，穿插了游戏、美食和正念运动等练习来与自然和地方建立联系。营会的重点是马来西亚的沙劳越本土历史和实践，以及每位营员在地建立的独特联结。营会结尾，通过与自我、他人和自然重新建立连接，达到深度的蜕变。

Future+营会的设计理念和合作机构包括但不限于：再生设计研究所、舒马赫学院、深度生态学、U/Presence自然流现研究所、自然与森林治疗协会等。

第一次再生设计营会已于2024年5月在四川举办（链接），第二次营会将于2024年10月下旬在马来西亚古晋举办，第三次营会将于2025年5月在印尼的巴厘岛举办。

快来加入一场亚洲再生设计师的成长之旅吧！

DAY0 抵达、安住 

10月16日，参与者将陆续抵达，晚间的欢迎环节后，入住老城一座具有历史的酒店

DAY1 镜观四海 

晨间正念练习之后我们将系统学习再生设计的理论，并在下午分组探索古城的过程中继续练习，帮助参与者建立与自我、他人及在地的深层连接。

 DAY2 心归自然 

拜访本地一座神秘的精灵洞窟，体验自然的力量的同时继续学习再生设计理论，并向当地的比达友长老学习原住民的智慧。

 DAY3 破壁共融 

在静默和反思中寻找内外世界的和谐共融，在个人设计挑战中激发创新思维，在小组分享中去碰撞和交融。

 DAY4 筑梦为城 

在小组设计挑战中实践再生设计原则，通过协作规划，将小组想法转化为最终项目的呈现。

 DAY5 共生新篇 

制定行动计划并许下承诺，庆祝旅程成果，并展望未来。

暂定的日程包括：自我观察（晨间练习、休息/安静时间和反思）、与同伴的联结、游戏（城市地图绘制）、自然联结（精灵洞穴）、原住民智慧分享、理论（再生设计概念）和实践（设计挑战）。每天都有一个主题，并且我们将遵循一套原则和仪式，这些将在线上迎新会议中详细介绍。您将融入自然怀抱，开启再生设计之旅。

i) 文化和历史意义

古晋的历史与布鲁克家族王朝紧密交织在一起，布鲁克家族作为白王统治沙捞越一个多世纪。许多历史建筑和纪念碑中都可以看到这一遗产，如阿斯塔纳、玛格丽塔堡和旧法院。这座城市也是砂劳越博物馆的所在地，该博物馆是东南亚最古老、最全面的博物馆之一，展示了该地区丰富的文化遗产和自然历史。新建的婆罗洲文化博物馆提供有关婆罗洲多元文化和生态系统的最先进展览，为砂劳越博物馆的历史展览提供了现代补充。

ii) 古晋文化遗产步道

古晋文化遗产步道将带您穿过这座城市丰富的历史古迹，对此感兴趣的游客万勿错过。本次营会中，徒步的古城寻宝环节将带您穿越古晋的历史核心，突出重点地标，并让您一览这座城市的殖民地和原住民的遗产。

砂劳越州立博物馆

砂劳越州立博物馆成立于1891年，是东南亚最古老、最著名的博物馆之一。博物馆坐落在一座宏伟的殖民时代建筑内，拥有丰富的民族志和自然历史文物收藏。游客可以游览砂劳越原住民的多元文化，包括传统服装、工具和工艺品。博物馆还全面展示了该地区的动植物群、地质历史和考古发现，让人们全面了解砂劳越丰富的生物多样性和文化遗产。

婆罗洲文化博物馆

婆罗洲文化博物馆是马来西亚最大的博物馆，一座现代建筑奇观，也是古晋文化景观的核心。这座拥有先进设施的博物馆于2020年开放，提供五层互动和沉浸式展览，呼应婆罗洲的文化多样性和自然奇观。博物馆的展览按主题组织，涵盖婆罗洲原住民群体的历史和文化、传统和当代艺术以及该岛独特的生态系统等主题。亮点包括逼真的立体模型、数字装置和吸引所有年龄段游客的动手活动。婆罗洲文化博物馆是一个充满活力的教育、文化交流和社区参与空间，反映了砂劳越州对保护和促进其遗产的承诺。

文化遗产步道上的其他重要景点包括华人历史博物馆和伊斯兰博物馆，前者记录了华人社区对砂劳越发展的贡献，后者探讨了伊斯兰教在该地区的影响。在步道上还可以参观纺织博物馆，展示传统的纺织品和编织技术，以及反应这座城市得名由来的猫咪博物馆。

iii) 多元文化与自然之美

古晋是一个文化大熔炉，人口包括达雅人、华人、马来人和各种原住民群体，如伊班人、比达友人和内陆（Orang Ulu）人。这种多样性反映在这座城市充满活力的节日、色彩缤纷的市场和各种各样的美食中。营员可以探索唐人街繁华的街道，品尝传统的马来美食，或体验当地菜肴的独特风味。

古晋周边环绕着令人赞叹的自然景观，从郁郁葱葱的热带雨林，宁静的河流到原始的海滩和雄伟的山脉。这座城市是通往众多国家公园的门户，包括以其多样化的野生动物和令人惊叹的海岸风光而闻名的巴科国家公园，以及世界上最大的花“莱佛士花”的所在地加汀山国家公园。对于那些寻求冒险的人来说，附近的砂劳越河提供了皮划艇、河上巡游和文化村参观的机会。

iv) 砂拉越2030智慧城市倡议和文化倡议

砂拉越雄心勃勃的提出了2030年智慧城市计划，古晋正是前沿，旨在将该市转变为技术先进和可持续的城市中心。这些举措专注于整合交通、医疗保健和公共服务等各个领域的智能技术，来提高居民的生活质量。自动快速交通（ART）的引入是一项重大的基础设施发展，提供了一个现代化、高效的公共交通系统，可以减少交通拥堵，促进可持续的城市交通。此外，该市还投资了各种文化活动，包括一年一度的世界雨林音乐节和古晋音乐节，庆祝当地和国际艺术、音乐和美食，促进文化交流和社区参与。

“通过这个工作坊，我确定了自己的进化方向，也遇到了一群可爱的朋友。这是一个鲜活的工作坊，流畅而开放。与团队成员一起共同创作的时间，在这个过程中不断的灵感和涌现，是我一生中一次宝贵的经历。”

——王慈航

“参加这个研讨会是我作为一名环保意识建筑师生涯中的一个重要里程碑。它加深了我和自然的联系以及自我意识，激励我寻找更和谐的方式让人类在地球上生活，导师们指导我理解地方并探索内心自我。”

——王苏嘉

到2030年，大幅减少建筑行业的能耗和二氧化碳排放，到2040年，完全淘汰二氧化碳排放，推动可持续、有复原力、公平、零碳的建筑和社区的发展。

推进可持续、有韧性、公平和零碳建筑与社区的发展。

在亚洲，Architecture 2030在2015年启动了《中国倡议》，这是62家重要的中国和国际建筑与规划公司承诺在中国设计低碳/碳中和的城市、乡镇、开发项目和建筑。自那以后，Architecture 2030通过举办各种线上和线下的知识交流论坛、研讨会和工作坊、零碳设计培训、制定零碳建筑规范，并发布大量的文章、指南和白皮书，继续深化其在中国及邻近地区（韩国和印度）的工作

在疫情期间，亚洲建筑2030团队对世界和我们这个时代不断变化的景观和需求进行了深入反思。这导致了更广泛、更全面、跨部门的关注，并与再生发展和设计保持一致。因此，Future+应运而生。

野声以内外可持续的理念培养新一代的地球领袖，联合国际知名的科学家、教育家、行动者和艺术家，共建共兴有活力、多样性的「可持续发展森林」，推动自然保护实践，促进人与自然的和谐共生。

自 2017 年成立至今，野声的脚步到达了南北极，喜马拉雅山，亚马逊雨林等地，并且发起中国极地保护网络，地球特工队行动，自然创变者等项目。我们的核心实践皆源于自然，并承诺持续为自然发声。

自六年前成立以来，我们已经探索了一系列跨区域的合作项目，这些项目涉及来自法国、德国、英国、意大利、台湾、泰国、印度尼西亚和马来西亚的合作者。到目前为止，我们的产品涵盖了出版物、文件、手工艺品、策展和建筑设计等多个领域。在合作中，我们有意识地吸引不同学科的人参与。无论是出版物还是建筑，对我们来说，重要的是确保项目最终能够提供具有普遍价值的富有同理心的体验。

在 COVID-19 大流行期间，大多数艺术实践倾向于将项目和研究聚焦于国内，婆罗洲实验室（Borneo Laboratory）决定采纳一个艺术声明：“广泛连接、深入思考和大胆行动”。婆罗洲实验室的团队相信，这是我们信仰的体现。唯有如此，艺术和文化的全球叙事才有可能转化为超越艺术领域的切实和积极的行动。

Think&Tink以“合作创新”为基本方法，旨在成为多学科实验项目的长年试验场：城市技术、建筑与景观设计、数字制造、去中心化教育计划和材料研究。